返回首页 倒计时

倒计时

影片信息

  • 片名: 倒计时
  • 状态: 已完结
  • 主演: 珍妮·艾加特  布莱恩·马歇尔  Clare Sutcliffe  西蒙·沃德  
  • 导演: 大卫·格瑞尼  
  • 年份: 1969
  • 地区: 英国
  • 类型: 剧情片 /
  • 时长:内详
  • 上映:于1969英国首播
  • 语言:英语
  • 更新:2025-01-13 16:31
  • 简介:  The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
  • 关注公众号观影不迷路

  • 扫一扫用手机访问

 立即播放  暴风资源

选择来源

  • 暴风资源
9.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
1次评分
9.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
1次评分

扫一扫用手机访问

首页 剧情片 倒计时

播放列表

 当前视频播放资源来源暴风资源 - 提供为您免费在线观看播放倒计时电影全集完整版,无需安装播放器
 倒序

剧情简介

该剧情片讲述的是The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.,倒计时是由大卫·格瑞尼执导,珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德等人主演的,于1969年上映。 相关赞助院线:策驰影院,星辰影院,星空影院,西瓜影院,抖音短剧视频等40集全集完整版资源免费在线观看。

为你推荐

 换一换
  • 剧情片
    更新第21集
    9.0内详
  • 剧情片
    HD中字
    8.0基里安·墨菲 艾米莉·布朗特 马特·达蒙 小罗伯特·唐尼 弗洛伦丝·皮尤 加里·奥德曼 拉米·马雷克 卡西·阿弗莱克 肯尼思·布拉纳 戴恩·德哈恩 乔什·哈奈特 阿尔登·埃伦瑞奇 杰克·奎德 大卫·达斯马齐连 詹姆斯·达西 本·萨弗迪 亚历克斯·沃尔夫 古斯塔·斯卡斯加德 马提亚斯·施维赫夫 汤姆·康蒂 迈克尔·安格拉诺 大卫·克朗姆霍茨 杰森·克拉克
  • 剧情片
    更新HD中字
    5.0黄晓明,杨幂,佟大为,杨颖,谢依霖,黄子韬,陈冲,何穗,马苏,华少,曾志伟,姚安濂,孙艺洲,孔连顺,沈泰,刘天佐
  • 剧情片
    已完结
    5.0塞西尔·德·弗朗斯,木村拓哉,亚历山大·卡里姆,莉奥妮·贝尼希,凯丽·考贝特,莎伦·邓肯-布鲁斯特,杰克·格林利斯,平岳大,克里斯塔·科索恩,芭芭拉·苏科瓦,莉迪亚·威尔逊,克拉斯·霍佛-乌姆劳夫,埃迪恩·杰拉里,奥利弗·马苏奇,克拉迪亚·朱尔特,雅各波·奥尔莫·安蒂诺里,Rosabell Laurenti Sellers,Joshua Odjick,Dutch Johnson
  • 剧情片
    更新第20集
    9.0山之辺真人:浪川大輔,阪脩 猿田博士:小村哲生 犬上宿祢:松本保典 八百比

影迷评论

我也来点评一下!
评论加载中...